Beginning with a calm, reverent setting, these solos are expressive throughout. The middle section is somewhat freer in melodic presentation with the solo treated more as an obbligato line. The quiet ending
This solo begins with non-thematic material setting up the mood of the piece. The theme is then introduced in a back-and-forth format between the instrument and accompaniment. It then continues with an
A traditional early American hymn scored for a medium-advanced instrumental soloist. A good choice for communion and other special moments during a worship service.
Presented in a pastoral setting, the melodic material in these solos is not modified to a large degree, allowing for a solemn and reflective setting to let the message of the hymn come through. A good
Traditional setting, slightly contemporary- begins with piano in a motif of the theme. The first section is a stylized rendition of the theme. Then, it continues in the chorus much the same. A
This solo begins with a easy lilt underpinned by a gentle accompaniment. Moving into the second section of the piece the tune is embellished in a variation format of chromatic triplets. It repeats
A lively and exciting solo from beginning to end - a brief introduction sets up the flavor for a modified presentation of the tune; after a modulation, the second offering is more sedate and sweet, only to
This alto sax solo begins with a brief piano introduction and presents the tune in a gently embellished manner that creates interest. After a brief intermission the soloist presents the tune with even more
Written in typical passacaglia (theme in the bass line) and Fugue fashion, the theme is presented in the piano. The first variation is a gently modified tune in duple with the accompaniment in
This piece would serve well as a meditation. Beginning with a quiet Celtic lilt, the center section is stronger and bolder. After several bell effects, the piece returns to the mood of the beginning.
The effect of a parade coming and going… using: Jesus Loves The Little Children; Onward Christian Soldiers; I've Got the Joy, Joy, Joy
A Rich Heffler arrangement. This solo starts out with a great deal of flourish based on Come Ye Thankful People, Come" and then settles down for a solemn rendition of We Gather Together.
This sacred set of solos is presented in a reverent setting for Lent and Holy Week services. The soloist is provided the opportunity for musical expression with a fluid cadenza before the